Michael Powell and the Hungarian Emeric Pressburger created numerous other odes to the power of art and the imagination, always going against the realist strain of British cinema. Known by the name of their production company, the Archers, Powell and Pressburger forged a working alliance that lasted from the late thirties to the early seventies, and from the anti-Nazi propaganda of 49th Parallel and the astoundingly designed and edited epic The Life and Death of Colonel Blimp to the erotic, magical excesses of A Canterbury Tale, I Know Where I’m Going!, Black Narcissus, and The Tales of Hoffmann. The duo were never as successful on their own as with each other, though Powell’s controversial Peeping Tom remains one of the most subversive and disturbing films ever made.