Secret People is concerned with a political theme. The making of Thorold Dickinson's penultimate, and last British, film was followed closely by Lindsay Anderson, who had been a co-founder of the Oxford film magazine Sequence, and who later became a film and stage director of considerable eminence. It was unfortunate that the film selected for this treatment should have been directed by someone from outside the main stream of Ealing directors.
The story of Secret People had been conceived by Dickinson some years earlier in conjunction with the novelist Joyce Carey, who had been responsible for the screenplay of Dickinson's 1946 picture, Men of Two Worlds. For various reasons production of Secret People had been put off until finally Balcon, recognising it as a change from the usual Ealing product, invited Dickinson to film it under his aegis. The plot is reminiscent of Conrad's The Secret Agent, being concerned with a bomb plot in 1930s London planned by nationals of a foreign tyranny who implicate members of the refugee community. Adopted by a kindly Italian restaurateur (Charles Goldner), Maria and Nora gradually overcome the loss of their father and get on with their lives. But when an old family friend enters the picture, the girls are plunged into a maelstrom of international intrigue. The upshot of this is a misguided murder charge and an eleventh-hour act of selfless sacrifice. Dickinson and his colleagues viewed Hitchcock's Sabotage, which was based on the Conrad book, before starting their film.
一早安德鲁莫接到好友比尔特罗让两个女儿带来的信,他随时都会被政府逮捕,新政府用憎恨和恐怖的乌云笼罩着国家,只盼云开日出之日还能与之机见。安德鲁莫收留了玛丽亚和诺娜。玛丽亚申请到了劳动许可证,然后在安德鲁的店里帮忙。七年后,姐妹俩加入了英国国籍,成了名副其实的英国人。他们一家人愉快的生活着,安德鲁莫带着姐妹俩去巴黎度假,玛丽亚在巴黎街头偶遇阔别多年的男友跑易,路易曾是父亲的助手,他们的相遇从此改变了玛丽亚的命运。
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